Draggin’ my Feet / Bridegroom of Blood, 2023.
Ebony and color pencil, oil crayon, applique, charcoal, 80”H x 40”W, with life-size scans of my feet and profile with Tibetan beast-trumpet. Based on dead leaf forms and the Getty Center’s Rothschild Pentateuch, MS 116 folio 162.
Slideshow: Attached / Detached, a continuing series, each 80″ H x 41″ W.
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De-TAIL, 2024:
Acrylic, river clay, rain, oil crayon, color pencil and pastel on archival scroll, textile borders.108″H x 68″W.
A 2 inch manuscript dragon illumination (folio 115v) reconfigured as a human-size hybrid. Source, the Rothschild Mahzor, 1490 on display at The MET, NYC
WAR-PAINT at Hudson Valley MoCA, WAR, 2024
AQUISITION BY THE GETTY CENTER, Los Angeles: A handmade mixed media portfolio of prints, montage and drawings in an assemblage case, that traces the artists trajectory from his 8 ft domino paintings at CALARTS, through his WINGS of WITNESS in its various iterations nationally, to its massive installation at the HUDSON VALLEY MOCA for ‘ART AT THE CORE’
Selection slideshow Fifty-nine hand-bound print and montage images with free verse in assemblage case. Schrier’s oeuvre in relation to his Unfinished FLIGHT/ WINGS of WITNESS series:
a museum-wide exhibit Art at The Core: The Intersection of Visual Art, Performance, and Technology featuring Jeffrey Schrier’s “Unfinished Flight,” a complex artwork, measuring approximately 29 x 18 feet, that employs millions of aluminum can pull-tabs as metaphors for incomplete lives destroyed by inhumanity.
“Continuing the Dream” Interview Series #11 – Jeffrey Schrier