Jeffrey Schrier is an American artist, producing painting, drawing, collage, and monumental assemblage installations, some involving mass participation. A body of Schrier’s work plays with the enchantment of religious story contrasted with history, science or pop-culture. He utilizes myth and nature imagery to explore intersections between cultural, historical and personal motifs; his current series mines ancient manuscript details he contrasts with plant and hybrid animal forms. His paintings often reflect tidal cycles and seasonal changes owing to studio views of Hudson River expanses. Pipesweat Domino, Schrier’s portfolio that traces his trajectory from CALARTS to his contemporary large scale works and installations, was acquired by the Getty Center, LA, in 2019. Holocaust and WWII references in his work are rooted in family history and the fact that he was born on Pearl Harbor Day. Schrier states that his interest in visually transforming events associated with doom into hope, also arises out of his struggle with crippling scoliosis during his teen years, and restorative spine surgery.

Schrier was educated at the Cleveland Institute of Art and  California Institute of the Arts.  At CALARTS he developed as a painter under Emerson Woelffer, who challenged Schrier to create a semester series based on a domino, resulting in Schrier’s fascination for sourcing mundane objects for his art. While occupying a tenth century former Roman monastery on the island of Mallorca, Spain, as a summer studio, he assisted Oxford archeologist  William Waldren at his bronze age excavation, an experience that cemented Schrier’s interest in the transience of culture. During the period he was journaling hundreds of dreams as source material for imagery, Schrier rescued a Yiddish play dated 1879 from LA street trash. This chance discovery  propelled an ongoing investigation of his Jewish heritage through his art.  Winged imagery remains prevalent in Schrier’s mining of culturally significant works.

Schrier’s was awarded a $40,000 grant by Stephen Spielberg’s Righteous Persons Foundation for his WINGS of WITNESS,  a series of monumental assemblage installations constructed with the assistance of sixty thousand participants, through artist residencies Schrier conducts at museums and educational institutions. More then eleven million can tabs, weighing over six tons, are the primary source material for the assemblage works.  Bequeathed to Schrier, the tabs were initially collected internationally by the Mahomet Seymour Middle School in Illinois, as a numerical demarcation for lives destroyed during the Nazi Holocaust. Working under Schrier’s direction, volunteers helped fabricate “feather” structures from the tabs. The feather elements are configured by Schrier with teams of assistants, into massive wing-like expanses, a reference to The Butterfly, a poem written by a young Czechoslovak poet, Pavel Friedman, who perished at Auschwitz. Ten site specific installations include: the Mahomet Seymour Junior High, Mahomet Illinois where the tab collection originated in 1996-97 (work in progress); the Yeshiva University Museum, New York; The Bremen Museum, Atlanta, GA; The Brandeis Bardin Institute, Simi Valley, CA; Holocaust Museum Houston, TX; Ida Lee Park, Leesburg VA; Holocaust Memorial and Education Center of Nassau County, Glen Cove, NY; Katonah Museum of Art, Katonah, NY; and titled Unfinished Flight, at the Hudson Valley Center for Contemporary Art, Peekskill NY, October, 2013 through July, 2014 (NY TIMES).

Beginning in Los Angeles and continuing in New York, Schrier was an early experimenter with copier and laser printing presented in his first NY solo, Xerotica, at the Master Eagle Gallery, Chelsea’s vanguard gallery.  Schrier’s experimental work (ARTFORUM) was featured in survey exhibitions at the International Museum of Photography, Rochester, NY; Canadian Center of Photography and Film, Toronto; New York State Museum, Albany; The Cooper Hewitt National Design Museum of the Smithsonian Institute, New York; Museo Electrographia, Cuenca, Spain; Bienale Electrographia, Madrid and Barcelona; 10th International Printmaking Bienal 2020, Douro Valley, Portugal; Artistas & Maquinas @ Museum of Contemporary Culture Valencia, Spain, 2022. His experimentation continues to be incorporated in mixed media works: Bridegroom of Blood, Draggin’ Me shown at Hudson Valley MOCA, 2025; Joy Not Babel exhibited in Seeking JOY at the Heller Museum, Manhattan through July 2025.

DREAM WORK cloaked in heritage: For his Dreaming Self, Schrier transferred scans of his body onto bed sheets slept on during years of dream inquiry. Featured in the Pratt Graphic Center National Copier Art Exhibition and Pratt Print Review 20, the bed sheet installation was later incorporated in Ancient Walls in the Century of Electronic Light, his first Yeshiva University Museum solo, 1993. Here Schrier covered the figure of himself with images of  a 3rd century fresco Jacob’s Dream tunic from the Dura Euuropos Synagogue, Syria.

Mixed media works have been commissioned for the music of Pink Floyd, David Bowie, Elvis Costello, Paul Winter, Les Paul, classical and jazz composers, as well by The Atlantic, Psychology Today, Quest, the Communications Satellite, etc. Award winning illustrative works were included in notable survey exhibitions and associated publications: Printmaking in Modern American Illustration at the Pratt Manhattan Center Gallery; 200 Years of American Illustration at the New York Historical Society Museum, and at The Museum of American Illustration, NYC, ‘Stand Out’ works commissioned by Rolling Stone from the 1970’s on.

Other notable activity includes:

·    WrecKtify, solo, H-Art, Peekskill, NY, (November 2010-March, 2011). Mixed media paintings, 2006-2011, with references to Creation stories across a cultural spectrum. At odds with fundamentalist assertions that natural disasters are divine retaliation, Schrier worked outdoors on seven-foot expanses of ruined, flood stained scrolls primed with mud and river clay, with storms directly impacting his imagery.

·    Serif Seriphim, solo exhibition, Yeshiva University Museum, Center for Jewish History, NY, (2005). Cut and polychrome sheet steel in which the primary calligraphic imagery is transmitted through the cut empty spaces, or shadows, rather than the steel panels themselves. Influenced by the figurative stacking of Hebrew letters in Kabbalah, the Sifirot and micrography.

·   Passage to Freedom,  solo exhibition, UJA Gallery, NY (2003). Twenty-four mixed media works commissioned by the Reconstructionist Press, for A Night of Questions, (a Passover Haggadah, hardcover edition 2010).

     On the Wings of Eagles, illustrated and penned by Schrier, recipient of Sydney Taylor Award, hardcover, Millbrook Press, 1998, the story of the rescue of the Ethiopian Jews.

·   Until the Time, Memorial to Raoul Wallenberg  commissioned by the Simon Wiesenthal Museum of Tolerance, LA, 1997.  Heat fusion montage incorporating historical WWll photos into a ten-foot high interpretation of a Shutz-Pass (passport Wallenberg issued to save lives).

·   Golden Lamp, Golden Land, Installation at Ellis Island Museum, NY (1993), and Grand Central Terminal, NY (1991). Construction of painted monoprints, montage and assemblage inspired by a Yiddish book dated 1879, that Schrier found in an LA trash heap.

·   Ancient Walls in the Century of Electronic Light, Yeshiva University Museum, NY, (1993). Solo exhibition of montage and assemblage; synagogue structures from antiquity were re-envisioned through laser output and construction.

·   Scroll, commission by the Jewish Theological Seminary of America, NY, 1985. Permanent installation; heat fusion montage and assemblage inspired by manuscripts from the Rare Book Room;and the10th century Cairo Genizeh.

·   Forty Hamsa Forty Years, solo exhibition, Hebrew Union College- Jewish Institute of Religion Museum, New York, 1985. Mixed media works fusing dream images with generations of family photos and transfer prints of the Dead Sea Scrolls.

Schrier was a faculty member at Parsons School of Design, 1981-91. Artist residencies include Syracuse University and the State University of New York at Buffalo. He has involved thousands participants in  workshops at hundreds of  educational institutions including Northwestern University,  Quinnipiac University, University of South Florida-Gainsville, Loyola Marymount University, Hunter College, Lycee Fraqncais de NY.

Recognition/Awards/Grant Funding

2017: Commission by NY State Assembly and ArtsWestchester, NY for “Give Us the Vote” exhibition, 9/2017-1/2018; Assemblage sculpture, Tilt / Crippling Liberty.

2017: ARC of Westchester /Arts Westchester with NY State Council on the Arts: Art Partners Challenge Grant.

2016: White Plains Hospital/Arts Westchester with NY State Council on the Arts: Art Partners Challenge Grant.

2015: NY State Assembly Grant in partnership with Arts Westchester for two ArtsExel residency programs, Yonkers Public High Schools

2013-14: Target Inc, Grant for Art and Culture

2012: Department of Education, US Department of Defense, and Vicenza Community Club, Vicenza Italy

2011, 2008, 2006, 2003: New York State Council on the Arts

2011, 2009,  2008, 2006: Arts Westchester, Westchester County, NY

2009: Federal grant: Innovative Alternative Strategies For Educators of Visual Arts

2008: Hudson River Healthcare, Peekskill, NY

2005: George Blumenthal, LLC, for the Katonah Museum of Art, Katonah, NY

2002, 2001: Steven Spielberg’s Righteous Persons Foundation, Santa Monica, CA

2002, 2001: National Foundation for Jewish Culture

2001: The Irwin Uran Gift Fund, Loudoun County, Virginia

2000: Brandeis-Bardin Institute, Simi Valley, CA

1999: Fulton County Arts Council, Atlanta, Georgia

1998: Anti-Defamation League, LA

1998: Coca Cola

CONTACT: jeffreyschrierstudio@gmail.com 914-4622172 http://www.jeffreyschrier.org/