LEAVING EDEN, 2026. Photo-collage, drawing and laser print, 26″X26″. For Bruce Odland recordings @ The TANK Center for Sonic Arts

“Kochleffel” Hastening Enchantment’s Oblivion, 2025. Acrylic, rain, oil crayon, aerosol, color pencil, pastel, 50 1/2″W x 84″H.

On view at Hudson Valley MOCA’s In-Security, February 7 – May 7, 2026:

A yiddishism for a mixing spoon “stirring the pot” presented as visual metaphor for social media’s proliferation of intrusive toxicity on what is otherwise a source of knowledge, enrichment, even serenity.

Image source: Getty Center’s 1296 Rothschild Pentateuch, folio 447r

Empty Saddle, 2025. Acrylic, rain, aerosol, oil crayon, color pencil and applique on archival scroll, 84″H x 50 1/2″W.

A medieval manuscript equestrian image (flipped) embedded in a 2025 Los Angeles competition winning jump.  

Detail image: GETTY Center MS 116 folio 206v. 

At Midnight, 2025. Mixed Media montage with oil crayon, pastel and color pencil on archival scroll, 50″H x 68″W.

Detail images: GETTY Center MS 116 folio 32v.

Bridegroom of Blood, Draggin’ Me’, 2023 on view @ Hudson Valley MOCA, February 1-May 3, 2025.
Ebony and color pencil, oil crayon, applique, charcoal, 80”H x 40”W, with life-size scans of my feet and profile with Tibetan beast-trumpet. Based on dead leaf forms and the Getty Center’s Rothschild Pentateuch MS116 folio162

Slideshow: Attached / Detached, a continuing series, each 80″ H x 41″ W.

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De-TAIL, 2024:
Acrylic, rain, aerosol, oil crayon, color pencil and pastel on archival scroll 84″H X 50 1/2″W, with textile borders 108″H x 68″W. A 2 inch manuscript dragon illumination reconfigured as a human-size hybrid. Source (folio 115v) the Rothschild Mahzor, 1490 on display at The MET, NYC

WAR-PAINT at Hudson Valley MoCA, WAR, 2024

AQUISITION BY THE GETTY CENTER, Los Angeles:   A handmade mixed media portfolio of prints, montage and drawings in an assemblage case, that traces the artists trajectory from his 8 ft domino paintings at CALARTS, through his WINGS of WITNESS in its various iterations nationally, to its massive installation at the HUDSON VALLEY MOCA for ‘ART AT THE CORE’

Selection slideshow Fifty-nine hand-bound print and montage images with free verse in assemblage case. Schrier’s oeuvre in relation to his Unfinished FLIGHT/ WINGS of WITNESS series:

Hudson Valley Center for Contemporary Art. 10/2013-12/2014

a museum-wide exhibit Art at The Core: The Intersection of Visual Art, Performance, and Technology featuring Jeffrey Schrier’s “Unfinished Flight,” a complex artwork, measuring approximately 29 x 18 feet, that employs millions of aluminum can pull-tabs as metaphors for incomplete lives destroyed by inhumanity.